Tenor mouthpieces for doublers
- JCBone
- Posts: 373
- Joined: Jul 29, 2020
I currently primary on bass on use mostly a Holton 87. Whenever I switch to tenor (stomvi 5a) it becomes very unpleasant to sudennly mover to such a small piece. So what recommendations do you have. I have heard that a lot of people will use a 4g size with a 3g rim. What are your opinions on this?
- dukesboneman
- Posts: 935
- Joined: Apr 02, 2018
When I have to double quickly, as in a Musical. I have to practice the double.
I played Music Man a couple years ago , and the book was tenor/Bass starting in Nov
In July I put my tenor and Bass out on the practice stands and every day I would practice both horns
This got my chops used to switching back and forth
I played Music Man a couple years ago , and the book was tenor/Bass starting in Nov
In July I put my tenor and Bass out on the practice stands and every day I would practice both horns
This got my chops used to switching back and forth
- BGuttman
- Posts: 7368
- Joined: Mar 22, 2018
I'd agree with dukesboneman.
Some will play both instruments with a 3G (Schilke 57) mouthpiece.
Some will play both instruments with a 3G (Schilke 57) mouthpiece.
- hyperbolica
- Posts: 3990
- Joined: Mar 23, 2018
I had to increase the diameter of my tenor pieces. Once that got to a certain size, the switch to bass or even tuba was less traumatic. I went from a basic 5g to a DE 104 rim, about the size of a 3g.
- Doug_Elliott
- Posts: 4155
- Joined: Mar 22, 2018
104 is a good size for a lot of tenor players whether they double or not. Yes, it makes it easier to do the switch.
I also make the option of using your bass rim size on tenor depth cup, so the switch is seamless - if that works for you. It doesn't work for everybody.
I also make the option of using your bass rim size on tenor depth cup, so the switch is seamless - if that works for you. It doesn't work for everybody.
- MTbassbone
- Posts: 558
- Joined: Apr 21, 2018
I am primarily a bass trombone player, and I like the DE N104 rim size on tenor as well.
- harrisonreed
- Posts: 6479
- Joined: Aug 17, 2018
I play the N106 size on alto, small bore, large bore, euph, and hopefully soon bass. It works very well, and there is never an issue switching instruments.
- FOSSIL
- Posts: 688
- Joined: Jul 09, 2019
I take a different position.... as a bass trombonist doubling small tenor, I need to make sure the mouthpiece is a classic for that instrument so as to most easily get the sound and range, so it's a MV Bach 11c for me. Primary tenor players can have more latitude and still sound right.
Chris
Chris
- GabrielRice
- Posts: 1496
- Joined: Mar 23, 2018
[quote="Doug Elliott"]I also make the option of using your bass rim size on tenor depth cup, so the switch is seamless - if that works for you. It doesn't work for everybody.[/quote]
That's what works for me.
That's what works for me.
- ZacharyThornton
- Posts: 615
- Joined: Mar 23, 2018
I am a bass player that can’t be picky about gigs right now. So I have gotten a lot of tenor gigs. I play a 1 1/2Gish on bass and a Alessi 1C on tenor. I am getting the right sounds and blending in brass quintet and trombone octet stuff. (We are still social distanced and wearing masking when not playing, Covid tests before, etc).
That is what works for me. YMMV.
That is what works for me. YMMV.
- Johnstad
- Posts: 225
- Joined: Mar 23, 2018
[quote="Doug Elliott"]I also make the option of using your bass rim size on tenor depth cup, so the switch is seamless - if that works for you. It doesn't work for everybody.[/quote]
I use this too. Works great. No "Rim shock" when I switch from bass to tenor.
I use this too. Works great. No "Rim shock" when I switch from bass to tenor.
- MuscleMouth
- Posts: 9
- Joined: Jan 07, 2021
I always got a funny buzz sound when switching from my marching band peashooter Olds Ambassador back to my Blessing big bore concert/solo/ensemble tank. I remember asking my trombone professor in college about it, because that funny buzz sound was rampant among trombone doublers everywhere. I seriously thought it was impossible to fix, but he managed to conquer it somehow.
“You practice a lot, on both of them. That’s how you do it.”
- Dr. Bruenger
He spoke softly, carrying 22 pounds of medal.
Equal time, and lots of it. Practice the transition areas back and forth between instruments and that funny buzz will get better, or worse until it gets better. Or it’ll get worse until you give up and take your precious concert/solo/ensemble tank to the football field, to sacrifice it to the gods so that they May feast upon your woeful lamentations.
They really dig that. It’s like, their thing.
“You practice a lot, on both of them. That’s how you do it.”
- Dr. Bruenger
He spoke softly, carrying 22 pounds of medal.
Equal time, and lots of it. Practice the transition areas back and forth between instruments and that funny buzz will get better, or worse until it gets better. Or it’ll get worse until you give up and take your precious concert/solo/ensemble tank to the football field, to sacrifice it to the gods so that they May feast upon your woeful lamentations.
They really dig that. It’s like, their thing.
- ArbanRubank
- Posts: 424
- Joined: Feb 23, 2019
FWIW, I'm currently using a Yamaha 52L on bass and large-bore tenor, then a Yamaha 52S on my King 3B/F. True, I wish the 52S would have a bit more of a shallow cup, but since I tend to play bright on small-bore to begin with, it's okay. I don't notice any range issues with it on small-bore. So, for my own use, I have proof of concept for keeping the rim size the same, although I think most people would tend to find the 52L a little small for bass. I don't, though. I like the sound and flexibility it affords.