Old Orchestral Oddities
- robcat2075
- Posts: 1867
- Joined: Sep 03, 2018
The NYC premiere of Heldenleben, in the more is more age:
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Maud Powell with a bit of forgotten repertoire. Maud Powell used to tour with the Sousa Band!
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Hip, Hip, Horatio! Parker is most remembered to day as a teacher of Charles Ives.
Ernst von Dohnányi was the grandfather of the recent Cleveland Orchestra conductor, Cristoph.
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The Trombone and Tuba feature (?) figures on quite a few children's concerts in the 1920s era.
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<ATTACHMENT filename="NYP-1900-12-08.jpg" index="3">
Maud Powell with a bit of forgotten repertoire. Maud Powell used to tour with the Sousa Band!
<ATTACHMENT filename="NYP-1901-01-12.jpg" index="2">
Hip, Hip, Horatio! Parker is most remembered to day as a teacher of Charles Ives.
Ernst von Dohnányi was the grandfather of the recent Cleveland Orchestra conductor, Cristoph.
<ATTACHMENT filename="NYP-1901-02-15.jpg" index="1">
The Trombone and Tuba feature (?) figures on quite a few children's concerts in the 1920s era.
<ATTACHMENT filename="NYP-1924-03-22.jpg" index="0">
- u_2bobone
- Posts: 474
- Joined: Mar 25, 2018
"Hip, Hip, Horatio! Parker is most remembered to day as a teacher of Charles Ives.
Ernst von Dohnányi was the grandfather of the recent Cleveland Orchestra conductor, Cristoph."
Horatio Parker should also be credited with a compositional technique in which he attempted to accommodate the reverberant characteristics of a cathedral by writing one part of a solo line to be reinforced by the same line repeated one beat later and then allowing the "decay" of that line to be similarly addressed. It was a bit confusing to the orchestral musicians, but the listeners were somewhat less so. It didn't catch on ---- I wonder why ?
Ernst von Dohnányi was the grandfather of the recent Cleveland Orchestra conductor, Cristoph."
Horatio Parker should also be credited with a compositional technique in which he attempted to accommodate the reverberant characteristics of a cathedral by writing one part of a solo line to be reinforced by the same line repeated one beat later and then allowing the "decay" of that line to be similarly addressed. It was a bit confusing to the orchestral musicians, but the listeners were somewhat less so. It didn't catch on ---- I wonder why ?