Duo Gravis vs. Getzen 1052 FD

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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

I'm mostly a tenor player but got asked to play bass trombone in a community jazz band a couple years ago. At that time I acquired an older/beat up King Duo Gravis at a good price. A couple months ago I decided up "upgrade" my bass and bought a Getzen 1052 FD. When I test played it, I liked it. I figured there would be an adjustment period. But now a few months in I still just can't seem to get the low end notes (mostly below the staff) to "pop" or some may say "splat" like I can on the Duo Gravis. I've tried the different lead pipes, but is there one of the lead pipes that is MORE like the Duo Gravis that I should focus in on? Any suggestions? Or is it just going to take more practice and patients? (Or just sell the Getzen!)

Thanks.
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Burgerbob
Posts: 6327
Joined: Apr 23, 2018

by Burgerbob »

1062 or 1052?
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="Burgerbob"]1062 or 1052?[/quote]

Independent 1052 with yellow brass bell.
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blast
Posts: 671
Joined: Mar 22, 2018

by blast »

Keep the duo gravis. It does what you want. The Getzen is not an upgrade.
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="blast"]Keep the duo gravis. It does what you want. The Getzen is not an upgrade.[/quote]

Thanks. I only said it was an "upgrade" because my Duo Gravis is really beat up! Maybe I just need to look for a Duo Gravis in better condition.
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Matt_K
Posts: 4809
Joined: Mar 21, 2018

by Matt_K »

The 1052 is also a great instrument fwiw Just might not be your cup up of tea.

I recommend the 1 pipe or perhaps something in nickel for the sound you’re going for
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Kevbach33
Posts: 295
Joined: May 29, 2018

by Kevbach33 »

It's very possible you're used to the feel and response of the dependent Duo Gravis versus the independent 1052. These are two very different feels. I'd second Matt K and keep at it with the 1 pipe.

The 1062 (dependent) may be more up your alley. It does have a dual bore slide.

On the flip side, it might be a better investment to have your King restored to a better condition than you found it. Wear be darned, it's possible the DG is an excellent specimen waiting for the right tech to bring it to its initial potential.
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spencercarran
Posts: 689
Joined: Oct 17, 2020

by spencercarran »

What mouthpiece are you using? Some combinations of horn/mouthpiece get along better than others.

[quote="Kevbach33"]The 1062 (dependent) may be more up your alley. It does have a dual bore slide.[/quote]

In terms of sound concept the 1062 is probably even further away from what OP is used to, and it's not a very friendly horn for a tenor player.
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tbonesullivan
Posts: 1959
Joined: Jul 02, 2019

by tbonesullivan »

The Duo Gravis is really a unique horn. Are you using the same mouthpiece on the 1052FD as you did on the Duo Gravis? You might get a more edgy sound with a lighter weight mouthpiece.

I will say though, there really isn't anything that rips out low notes like a Duo Gravis, IMHO. The valve tubing is .563, the same as the rest of the bore, which really helps give it more edge in the low range.
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Burgerbob
Posts: 6327
Joined: Apr 23, 2018

by Burgerbob »

[quote="spencercarran"]What mouthpiece are you using? Some combinations of horn/mouthpiece get along better than others.

<QUOTE author="Kevbach33" post_id="218049" time="1692385883" user_id="3338">
The 1062 (dependent) may be more up your alley. It does have a dual bore slide.[/quote]

In terms of sound concept the 1062 is probably even further away from what OP is used to, and it's not a very friendly horn for a tenor player.
</QUOTE>

Agreed... that's why I asked. I'd say the 1052 is just overall better than the 1062 as well.
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="spencercarran"]What mouthpiece are you using? Some combinations of horn/mouthpiece get along better than others.

<QUOTE author="Kevbach33" post_id="218049" time="1692385883" user_id="3338">
The 1062 (dependent) may be more up your alley. It does have a dual bore slide.[/quote]

In terms of sound concept the 1062 is probably even further away from what OP is used to, and it's not a very friendly horn for a tenor player.
</QUOTE>

I was originally using the King 29 that came with the Duo Gravis but eventually switched to a Wick 2NAL. So I think both smaller mouthpieces. The Getzen came with a Bach 1.5 and a Marcinkiewicz 1. I've been trying them all in the Getzen....

The previous owner was using the Marcinkiewicz and the #2 leadpipe combination, for what it's worth.

Thank you all for the responses so far. Very helpful.
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="Burgerbob"]1062 or 1052?[/quote]

Ha! I just noticed my signature block said a 1062. I just double checked. It’s an independent 1052.
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NBischoff
Posts: 95
Joined: Jun 04, 2018

by NBischoff »

Those are two very different horns with a very different blow. That said, it may be worth taking the Getzen in to a tech just to make sure everything is mechanically sound and nothing is leaking.
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Olofson
Posts: 92
Joined: Apr 15, 2023

by Olofson »

Well, I think the Duo Gravis is avery nice horn, get it fixed!
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DougHulme
Posts: 558
Joined: Apr 27, 2018

by DougHulme »

The DG any day. get a decent tech to sort the DG out for you - it would be a good investment. Sounds like the issues may only be cosmetic anyway. Use the 1.5 mouthpiece but make sure the taper of the shank matches - if not get Doug Elliot to supply you with an equivilant. It will make DG sing and pop all at the same time, they are great instruments... Doug
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vetsurginc
Posts: 166
Joined: Jun 29, 2019

by vetsurginc »

Playing on a 1052FD with a Markey 47. Changed from a Holton 180 to get the independent valve setup. Band leader loves the way I can carve through with the pedals. Maybe try a Markey?
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="vetsurginc"]Playing on a 1052FD with a Markey 47. Changed from a Holton 180 to get the independent valve setup. Band leader loves the way I can carve through with the pedals. Maybe try a Markey?[/quote]

Thanks. Do you mean a Markey 87? I can’t seem to find a 47 online?
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vetsurginc
Posts: 166
Joined: Jun 29, 2019

by vetsurginc »

Sorry. Yes Markey 87. Still not awake. MORE COFFEE PLEASE!
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WGWTR180
Posts: 2152
Joined: Sep 04, 2019

by WGWTR180 »

[quote="DougHulme"]The DG any day. get a decent tech to sort the DG out for you - it would be a good investment. Sounds like the issues may only be cosmetic anyway. Use the 1.5 mouthpiece but make sure the taper of the shank matches - if not get Doug Elliot to supply you with an equivilant. It will make DG sing and pop all at the same time, they are great instruments... Doug[/quote]

Completely agree.
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WGWTR180
Posts: 2152
Joined: Sep 04, 2019

by WGWTR180 »

[quote="vetsurginc"]Playing on a 1052FD with a Markey 47. Changed from a Holton 180 to get the independent valve setup. Band leader loves the way I can carve through with the pedals. Maybe try a Markey?[/quote]

With the proper approach carving out pedals is easy on a 180 and a Duo Gravis.
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greenbean
Posts: 1958
Joined: Mar 23, 2018

by greenbean »

More agreement with the Duo Gravis. Either put some work toward making your current one better or find another one.
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Matt_K
Posts: 4809
Joined: Mar 21, 2018

by Matt_K »

The Getzens seem to have a much more full "blossom" or even delay. The Duo Gravis that I've played both have an extreme immediacy to the sound. I weirdly like both horns like I mentioned but you might also just want to think about if you are having issues with articulation because of change in expectation. With the Duo Gravis, you may have to back off to get warmth on pedals. With the Getzen, you may have to be more pointed in your articulation. I tend to have problems being overagressive, so I seem to be gravitating to the Getzens at the moment actually myself.

The advice to make sure BOTH horns are in ship-shape are good to be honest. I would also suggest, in addition to what I mentioned earlier about the "1" pipe, recommend practicing things like arpeggios, in good time, in that register on both instruments, especially with a drone. Arpeggiating downward while keeping your corners firm is going to be key regardless of what instrument you play. I've known a lot of players, especially tenor converts or doublers, and I include myself in this category untiL I started studying with Doug... that don't maintain an adequate amount of firmness in the register and the net result is kind of how you are describing your lower register. Ideally, you would have a "single embrouchre" that you can use to play those registers but it's easier said than done and very easy to slip up without realizing it. If you can continue into the lower register without removing the mouthpiece whatsoever (even for a quick breath) you will notice a big difference after a few days --- assuming you have not been doing so.
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JohnL
Posts: 2529
Joined: Mar 23, 2018

by JohnL »

The only real substitute for a Duo Gravis is another Duo Gravis.

If you really want/need an indy horn, your best bet would be a King 2107 (7B); it's still not a DG, but it's closer than pretty much anything else out there.
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EriKon
Posts: 636
Joined: Apr 03, 2022

by EriKon »

I would agree with the majority over here. The Duo Gravis is one of the best, if not the best, horn for jazz settings, maybe alongside with those vintage Conn 62Hs. Definitely worth to get it checked and repaired.
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sf105
Posts: 433
Joined: Mar 24, 2018

by sf105 »

A good repairer will do wonders for a beat up horn, as long as the slide still works.

As others have said, the DG is a very distinctive horn that doesn't play like others, so switching to another horn is almost like a double. Of course, the only real upgrade is to a SilverSonic :-o

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YooperHorn
Posts: 11
Joined: Mar 11, 2022

by YooperHorn »

I agree with what Matt K is telling you. I'm currently playing a Getzen 1062 and using a Greg Black 1GS .312 with leadpipe #1. When I tried this mouthpiece with leadpipe #3 the low register doesn't pop at all. So try combos of your mouthpiece and leadpipes...it can be quite different.
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

[quote="YooperHorn"]I agree with what Matt K is telling you. I'm currently playing a Getzen 1062 and using a Greg Black 1GS .312 with leadpipe #1. When I tried this mouthpiece with leadpipe #3 the low register doesn't pop at all. So try combos of your mouthpiece and leadpipes...it can be quite different.[/quote]

Thanks! I’ve got to ask: with that user name are you in the Upper Peninsula of Michigan? I’m in mid-Michigan.
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YooperHorn
Posts: 11
Joined: Mar 11, 2022

by YooperHorn »

[quote="Briande"][

Thanks! I’ve got to ask: with that user name are you in the Upper Peninsula of Michigan? I’m in mid-Michigan.[/quote]

Ya You betcha! I'm from Da U.P. :P
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Briande
Posts: 207
Joined: Jan 12, 2020

by Briande »

I just saw your comment today. I have a used Getzen 1052 I’ll likely be selling if the shires doesn’t work out for you.