"Great War Sextet" for Trombone and Strings

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BenSajo
Posts: 3
Joined: May 14, 2018

by BenSajo » (edited 2019-09-21 11:54 a.m.)

Dear Trombone Forum,

I hope this message finds you well. My name is Benjamin Sajo, a composer. I'm looking for a collaborator/champion of a major work I've recently completed after several years, on and off. It's a setting of five poems by Commonwealth (4 Canadian and 1 Australian) soldiers who died in Europe during World War I, including "In Flanders Fields".

I'm very happy to have found you people! I've been shopping around for quite a while but have yet to find any players ultimately willing to take this project on. All the parts along with the score are attached.

Below are the program notes:

"The music sets the poetry of five Canadian and one Australian poet who partook in world

war I. These poems come from the compilation, We Wasn’t Pals: Canadian Poetry and Prose of

the First World War, edited by Barry Callaghan and Bruce Meyer (Toronto: Exile Editions Ltd.,

2001). Stylistically, the music draws inspiration from the turn of the twentieth century and

expresses a duality between neo-Romantic sentimentality and expressionist grotesque. Just as

the First World War bridges the modern age, thusly does this music seek to evoke the zeitgeist of

the times.

1. John McCrae, "In Flanders Fields” — pneumonia 1918

2. W.W.E. Ross, “Soldiery” —survived war.

3. H. Smalley Sarsom, “Love Song”— Wounded at Ypres, 1916

4. William H. Ogilvie, “Canadians” — survived war.

5. Bernard Freeman Trotter, “Smoke”— killed in action, 1917

6. A. Audet, “No Man’s Land”— survived war

The trombonist of this work represents the wayfaring protagonist soldier; his instrument

his gun. The strings evoke both the literal sounds of the world around him—rustling winds, a

nightingale, explosions—and the inner emotions such situations evoke—nostalgia, terror,

serenity. Both the trombonist and string quartet use their bodies along with normal, instrumental

technique, to create unique sounds and theatrical effects: marching on the spot and drumming on

their instruments primarily. Each movement begins with the poem presented as dry recitative by

the ensemble, followed by the more musical interpretation."

There is no midi sample available. Feel free to print and try it out on your own! Let me know what you think! I'm based in Ottawa, Canada; if you're near, let's go for coffee.

Thank you for your time,

Ben
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AndrewMeronek
Posts: 1487
Joined: Mar 30, 2018

by AndrewMeronek »

That looks pretty ambitious. From a quick glance, it looks like this is really a piece for a theater, not just a trombonist and string ensemble. Complete with costumes and scenery. This is not a piece that some people can "just try out", from what I see.
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BenSajo
Posts: 3
Joined: May 14, 2018

by BenSajo »

Thanks Andrew,

The theatrical elements are optional, as are the recited portions.
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dukesboneman
Posts: 935
Joined: Apr 02, 2018

by dukesboneman »

It looks amazing. I`m trying to think of where this could be performed?

Back in Buffalo, NY, performing this piece would be a piece of cake

in Florida, I`m searching.

Looks like a lot of fun

Thanks
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BenSajo
Posts: 3
Joined: May 14, 2018

by BenSajo »

Dear group,

I would just like to share with you an update on the "Great War Sextet."

I am happy to say that this work will now have two premieres, November 9 and 10, 2019, in Ottawa. Please visit www.greatwarsextet.ca for further information and, if you're around, the means to purchase tickets.

Kind regards,

Benjamin Sajo